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The roots of this work lie in a small model made of paper strips. I then went on to make proportional and functionality models in cardboard, without the aid of a computer. What was important to me was that the lightness of the form and the behaviour of the strips remained legible, which is why I chose an ash surface veneer for the final composition. Four layers are soaked in water and then glued to form a ribbon, after which the whole thing is shaped into the right form using screw clamps.

On-spec work for Galerie Helmrinderknecht.

Ash veneer